Re-treating Religion is the first volume to analyze his long-term project The Deconstruction of Christianity,especially his major statement of it in Dis-Enclosure.Nancy conceives monotheistic religion and secularization not as opposite ...

Clarice Lispector has been studied thoroughly against the backdrop of Western ontology and feminism, but she has not often been read in relation to postcolonial theory and Black studies. Yet, their critique of coloniality and the radicality with which they conceive of a different world, can provide a fitting frame for understanding what is at stake in Lispector’s thought. When put in dialogue with the work of Édouard Glissant and Denise Ferreira da Silva, Lispector makes a key contribution to the (...) reconfiguration of the relation between the subject and the world that can be understood as an attempt to, echoing Sylvia Wynter, “unsettle the coloniality of being.” Where Glissant effectuates “creolization” and Silva a “hacking” of the subject, Lispector attempts to transgress our colonial relation to the world through a reconfiguration of fertility. In our study of The Passion According to G.H., supported by fragments from the Chronicles, we show: (1) how the passion of G.H., is the passion of a specifically colonial subject; (2) how fertility is an essential link between subjectivity and coloniality, ensuring an atavistic chain of filiation and hence the continuation of a colonially dominated world; and (3) how Lispector reconfigures fertility as a possibility of being deeply affected by the world, so much so that the colonial subject perishes and the chain of filiation is disrupted. As a consequence, we argue that Lispector’s project must not primarily be understood as ontological or in search of pre-discursivity, but as concerned with the revolutionary question of dismantling the colonial subject and its world in order to open up a potential of life otherwise. (shrink)

Nancy’s deconstruction of Christianity mainly consist of a reworking of Christian and traditional philosophical notions, a process by which he demonstrates how these notions have virtually exhausted themselves. He has examined how such notions contain, as their very condition, the possibility of their own exhaustion. As a result, Nancy’s project of a deconstruction of Christianity is actually a ‘reading’ of Christianity deconstructing itself, i.e. of Christianity’s raison d’être containing at the same time the possibility of its own exhaustion. Or as (...) Derrida would have phrased it, Christianity’s construction generates its deconstruction at the same time. This text tries to summarise the outlines of such deconstruction and its the rise in Nancy’s work, from his earlier publications up until La déclosion in 2005. (shrink)

Both Jean-François Lyotard and Jean-Luc Nancy have tried to understand the law within the heterogeneity of society by means of Kant's notion of 'as if'. Kant introduced this notion in order to respect the gap between reason and intuition; Lyotard and Nancy took it up to explain the lack of unity in society. In the margins of their work — footnotes and postscripts — they have discussed this theme and searched for the presuppositions and risks of each others position, as (...) a result of which the 'as if' is considered from different perspectives and the philosophies of Lyotard and Nancy are illuminated inopposition to each other. Although this discussion commenced in the seventies, this theme is currently more topical than ever as is clear from the development of the Europeanand Iraqi constitutions. An analysis of the complex discussion between Lyotard and Nancy is given to provide insight into the principles that constitute the law. Both Lyotardand Nancy are trying to solve the problem of how to judge without a given rule. Lyotardis mainly concerned with understanding the 'as if' as an attempt to respect heterogeneity, while Nancy criticizes Lyotard for ignoring the constitution of this heterogeneity.Nancy uses the notion of 'dislocation' to understand both every case as an accident andthe neglect of this aspect by the jurisdiction. At the same time, we will elaborate on the reception of the Kantian thinking in French philosophy. Although the importance of well-known notions such as the sublime have been emphasized many times, the relevance of the 'as if' has not been thoroughly investigated. It will be shown that the notion ofthe 'as if' can be fruitful for understanding the creative element of jurisdiction, that is, for judging without rules. (shrink)

In his ‘deconstruction of Christianity’, Jean-Luc Nancy seeks to show how our modern, secular society and its so-called Christian ‘roots’ are co-original and mutually constitutive. As a result of this mutual constitution, the Christian religion is fundamentally characterised by its own deconstruction. This article focuses on one element of this auto-deconstructive movement of Christianity: that of prayer, or more generally, of addressing God. According to Nancy, prayer reveals how Christianity contains at its core, or rather as its core, the principal (...) absence of its God and therefore the kernel of its own secularisation. This article examines why, in Nancy’s work, prayer has to be understood both as a form of demythologisation, as well as a poetic movement, a movement correlating with, and proper to, poetic practices. In adopting such an approach, Christianity’s auto-deconstruction is explained as a question of language. (shrink)

Literatuur leeft. Na een betrekkelijk stabiel maar sluimerend bestaan in de marges van de cultuurbijlagen is de literatuur sinds een jaar zowel de inzet als het mikpunt van een felle discussie. Aanstichter van deze discussie is hoogleraar moderne letterkunde Thomas Vaessens, die met zijn De revanche van de roman een vurig pleidooi hield voor de terugkeer van de literatuur naar de binnencirkel van het actuele debat. Aan zijn pleidooi ligt een diepe onvrede ten grondslag over het feit dat de literatuur (...) in de loop van de twintigste eeuw haar waarde als betekenisvolle cultuuruiting lijkt te hebben verloren. (shrink)

Although many have identified similarities between the arts, the question as to what principle they would share has proved difficult to answer. This article unfolds three crucial moments in the search for an answer to the question of the singularity and plurality of art: Batteux’s attempt to reduce the arts to one principle in The Fine Arts Reduced to a Single Principle (1746), the early idealist-romantic attempt to synthesize the arts in The Earliest System-Program of German Idealism (1798), and Nancy’s (...) recent attempt, in The Muses (2006), to understand the Hegelian End of Art as a beginning of the arts in plural. (shrink)

Both Jean-François Lyotard and Jean-Luc Nancy have tried to understand the law within the heterogeneity of society by means of Kant's notion of 'as if'. Kant introduced this notion in order to respect the gap between reason and intuition; Lyotard and Nancy took it up to explain the lack of unity in society. In the margins of their work — footnotes and postscripts — they have discussed this theme and searched for the presuppositions and risks of each others position, as (...) a result of which the 'as if' is considered from different perspectives and the philosophies of Lyotard and Nancy are illuminated inopposition to each other. Although this discussion commenced in the seventies, this theme is currently more topical than ever as is clear from the development of the Europeanand Iraqi constitutions. An analysis of the complex discussion between Lyotard and Nancy is given to provide insight into the principles that constitute the law. Both Lyotardand Nancy are trying to solve the problem of how to judge without a given rule. Lyotardis mainly concerned with understanding the 'as if' as an attempt to respect heterogeneity, while Nancy criticizes Lyotard for ignoring the constitution of this heterogeneity.Nancy uses the notion of 'dislocation' to understand both every case as an accident andthe neglect of this aspect by the jurisdiction. At the same time, we will elaborate on the reception of the Kantian thinking in French philosophy. Although the importance of well-known notions such as the sublime have been emphasized many times, the relevance of the 'as if' has not been thoroughly investigated. It will be shown that the notion ofthe 'as if' can be fruitful for understanding the creative element of jurisdiction, that is, for judging without rules. (shrink)

This paper will, in its successive steps and movements, revolve around one single question, a question that might, at first sight, come across as somewhat irrelevant or even impertinent within the context of philosophical or academic discourse. How romantic is Jean-Luc Nancy? Or: is there a specifically Nancyan sense of romance? Notwithstanding these somewhat unscholarly formulations, I am increasingly convinced that the question of love, or indeed more specifically of romance, is the most intimate inspiration of Nancy’s work, the key (...) unlocking all other keys. The theme of love has always played an important role in his work, from the early essay “Shattered Love” (“L’amour en éclats,” 1986) to his later works on the body and pleasure. In this paper, I will touch upon a number of these texts, but I will more particularly refer to two of Nancy’s more recent works, the yet untranslated book Sexistence from 2017 and Expectation: Philosophy, Literature (2018, published in French in 2015 as Demande: Littérature et philosophie). The question of romance, that is, the question of passionate interaction, of intrigue, of writing, of dramatization. This quite heterogeneous web of associations already implies a number of age-old philosophical issues: the relation between love and thinking; the relation between love and literature; and, subsequently, between philosophy and literature; the issue of the relation itself. The knot uniting these issues under the single heading of “romance” has been most firmly tied about two centuries ago, in the late eighteenth-century movement of early German, i.e., Jena, Romanticism, that significant moment in intellectual history where the barriers between philosophy and literature were broken down and where, quite generally put, the sense of the world was conceived of as a matter of romanticization. Although Nancy himself would be reluctant to call himself a Romantic philosopher in this historical sense of the word, this is exactly what I want to argue here: I want to show that Nancy’s philosophy of love – and by extension his philosophical thinking tout court – should be placed in the tradition of German Romanticism, rather than in that of, for instance, phenomenology, ontology, or philosophy proper. This claim is massive in its depth and scope and can impossibly be explored here in an exhaustive way. Instead, I will flesh out this perspective by advancing four successive hypotheses that enable to mark the contours of what I call Nancy’s romanticism. With this exploration, I hope to do three things at once: firstly, to underscore what I take to be the core or pulse of Nancy’s thinking: the issue of romance; secondly, to investigate to what extent this romantic pulse might be traced back to the Romantic tradition; and, thirdly, to emphasize why Nancy’s romantic thinking is relevant for us today. (shrink)

Cet ouvrage est le premier à proposer une recherche systématique du rapport entre communauté et littérature dans la pensée de Jean-Luc Nancy. L'auteure développe la thèse originale que cette relation doit être comprise comme une refonte du mythe. This is the first book to provide a systematic investigation of the relation between community and literature in the work of Jean-Luc Nancy. The author develops the original claim that this relation has to be understood as a rethinking of myth.